Dosho
(Mike) Port is one of Dainin Katagiri’s Dharma heirs. He lives and works outside
of St. Paul, Minnesota, in a place called White Bear. I am not going to be able
to get there for these interviews, but, as chance has it, he is giving a
workshop at the Boundless Way Temple in Worcester [see May 3rd entry] on the
same weekend I am traveling to Massachusetts to interview Bernie Glassman in
Montague. Joan comes with me on this trip, and we book rooms by Hotwire, which
actually puts us in Marlborough overnight. But our GPS—we refer to the female
voice as “Daphne”—gets us to both Marlborough and Worcester without a hitch.
We find
Melissa Blacker, David Rynick, and Dosho drinking coffee on the verandah as we
pull up. The clematis on the trellis behind their large Buddha is in luxuriant bloom.
Melissa shows us a Kannon statue she rescued from a second-hand store.
The
agreement I made with Dosho was that we’d meet for breakfast and then I’d drive
him to Logan Airport. Melissa uses her i-phone to help us find an appropriate
restaurant.
After a
long practice with Katagiri in the Soto tradition, Dosho went to Japan where he
became involved in koan practice. He has continued the practice with Melissa and
David at Boundless Way. I remark that it’s a fair distance between Massachusetts
and Minneapolis, and he explains that he has done some of the work via Skype.
Electronic dokusan. It’s an intriguing concept.
Dosho
grew up in a devout Catholic family and, for a while, considered becoming a
priest. Puberty helped put an end to that career path. When, later, he ordained
as a Buddhist priest, his grandmother blamed his mother, “She was completely
fine with me, but she was mad with my mother for about a decade. She figured it
wasn’t my fault that my mother had let me go astray.” I ask, “Really? She held
a grudge for ten years?” He laughs. “You’ll have to ask my mom. Maybe it’s an exaggeration,
but I’m tellin’ the story. Okay?” As Joan will attest, I’ve been known to exaggerate a bit
from time to time as well. I’ve always felt it was the story-teller’s
prerogative. And you can tell that Dosho is a story-teller.
He
describes a trip he took with Dainin Katagiri when they had what he now
estimates was a nine-hour wait at the San Francisco airport. Katagiri found one
of “those plastic, awful blue-color, plastic airport chairs, and he just sat
down and waited, and every few hours he would get up and go to the bathroom.
There were other people with us, but I saw myself, at least, as his attendant,
so I was trying to do what he did. But after two or three hours, I told him, ‘I’m
going to take a walk.’ So I walked around a bit and came back, and he was still
sitting there, so I sat down next to him. And a moment or two later, he leaned
over and said, ‘You’re not a very patient person.’”
We
continue the conversation in the car. Joan is driving. It is her first
time in Boston, but, with one eye on Daphne and the other on the highway signs,
she manages. Meanwhile, Dosho and I are discussing the way in which the koan
curriculum operates. “Shikan-taza is difficult,” he points out. “The koan
system kind of tricks you into shikan-taza.”
We
discuss the difficulties some centers are having now that the first and second
generation of teachers are no longer with them. A lot of the attraction of Zen in the early days
had been based on those strong personalities. “I heard Leonard Cohen say that
he felt such a connection with Joshu Sasaki that he would have learned
shoe-making from him if he’d been a shoe-maker rather than a Zen Master. I like
to think my relationship with Katagiri Roshi was like that.”
But it
strikes me that it’s not just a matter of personality. In the same way that the
youth drawn to Zen in the ‘60s and ‘70s were challenging the values of the
previous generation, young people today are questioning some of the structures
associated with Zen, including the Japanese cultural characteristics. “In the
old days,” Dosho remembers, “when we’d meet people from other centers, we’d all
compare how tough our training was. Now it’s almost the reverse. Now centers
are vying with one another about how accommodating they can be. There was this young
man at a talk I gave who raised his hand and asked, ‘Please, sir, what is the
minimum amount of asceticism needed to practice Zen?’”
It’s
also, as Bobby Rhodes had pointed out, a more electronically engaged
generation. And if dokusan can be done by Skype, why not experiment with other
ways of using the internet to promote Zen? Dosho, like Eshu Martin, is working
along those lines. I’m not wholly comfortable with the idea; however, distance
education works in other fields, so why not Zen?
After
leaving Dosho at the airport, we set Daphne to take us to Northampton where we
will stay tonight. Two hours later, she takes us down an old farm road, stops on
a dirt track in the middle of a cornfield, and tells us we’ve reached our
destination.
Cypress Trees in the Garden:
Cypress Trees in the Garden:
Port, Dosho Mike – 118, 207, 409-21,
468-69, 476-77
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